


{"id":1841,"date":"2019-09-20T10:46:19","date_gmt":"2019-09-20T10:46:19","guid":{"rendered":"http:\/\/nlisus.com\/?page_id=1841"},"modified":"2025-05-23T12:29:45","modified_gmt":"2025-05-23T12:29:45","slug":"caroline-coolen","status":"publish","type":"page","link":"https:\/\/nlisus.com\/?page_id=1841","title":{"rendered":"Caroline Coolen"},"content":{"rendered":"<p>\u200b&lt;span id=&#8221;__caret&#8221;&gt;_&lt;\/span&gt;&lt;p&gt;<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><div class='avia-gallery  avia-gallery-1 avia_lazyload avia_animate_when_visible '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><a class='avia-gallery-big fakeLightbox lightbox avia-gallery-big-crop-thumb ' href='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/SaT-764x1030.jpg'  data-onclick='1' title='' ><span class='avia-gallery-big-inner'  itemprop=\"thumbnailUrl\" >\t<img width='495' height='400' src='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/SaT-495x400.jpg' title='' alt='' \/><\/span><\/a><div class='avia-gallery-thumb'> <a href='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/SaT-764x1030.jpg' data-rel='gallery-1' data-prev-img='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/SaT-495x400.jpg' class='first_thumb lightbox ' data-onclick='1' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/SaT-495x400.jpg' width='495' height='400'  title='' alt='' \/><\/a> <a href='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/ROMAN--709x1030.jpg' data-rel='gallery-1' data-prev-img='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/ROMAN--495x400.jpg' class='lightbox ' data-onclick='2' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/ROMAN--495x400.jpg' width='495' height='400'  title='' alt='' \/><\/a> <a href='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/CHUM--1030x690.jpg' data-rel='gallery-1' data-prev-img='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/CHUM--495x400.jpg' class='lightbox ' data-onclick='3' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/CHUM--495x400.jpg' width='495' height='400'  title='' alt='' \/><\/a> <a href='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/Thistle-1030x714.jpg' data-rel='gallery-1' data-prev-img='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/Thistle-495x400.jpg' class='lightbox ' data-onclick='4' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/Thistle-495x400.jpg' width='495' height='400'  title='Thistle' alt='' \/><\/a> <a href='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/Underdog-1027x1030.jpg' data-rel='gallery-1' data-prev-img='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/Underdog-495x400.jpg' class='lightbox ' data-onclick='5' title=''  itemprop=\"thumbnailUrl\" ><img  src='https:\/\/nlisus.com\/wp-content\/uploads\/2019\/09\/Underdog-495x400.jpg' width='495' height='400'  title='Underdog' alt='' \/><\/a><\/div><\/div><\/div><div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>Caroline CoolenFor the Belgian sculptor Caroline Coolen, the use of collage, montage, assembly and free association is a way to get a grip on reality. She summarizes the multitude of impressions from reality in her sculptures. Characteristic is her relationship with nature,landscape and animals. She wants to compress the outside world -or Umwelt as Coolen calls it -as one total impression. Often starting from sculpting, a conglomerate with extremely diverse materials is created. With this far-reaching integration, she connects space with time in which humans and animals or plants are placed. Caroline Coolen&#8217;s work plays a broad spectrum of our senses; with varied textures and various materials, she binds the visual to the tactile.This produces sculptures and large format drawings that are often presented as a total installation.&lt;br \/&gt;<\/p>\n<\/div><\/section><\/div>&lt;\/p&gt;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u200b&lt;span id=&#8221;__caret&#8221;&gt;_&lt;\/span&gt;&lt;p&gt;&lt;\/p&gt;<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/nlisus.com\/index.php?rest_route=\/wp\/v2\/pages\/1841"}],"collection":[{"href":"https:\/\/nlisus.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nlisus.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nlisus.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/nlisus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1841"}],"version-history":[{"count":4,"href":"https:\/\/nlisus.com\/index.php?rest_route=\/wp\/v2\/pages\/1841\/revisions"}],"predecessor-version":[{"id":18712,"href":"https:\/\/nlisus.com\/index.php?rest_route=\/wp\/v2\/pages\/1841\/revisions\/18712"}],"wp:attachment":[{"href":"https:\/\/nlisus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}