‘Re-canvassed’

In this exhibition we will bring the artists Lily de Bont, Kirsten Hutsch, Gijs van Lith and Jan Maarten Voskuil together.
The canvas is both object and subject in their work: the traditional painting in which the canvas is not only a carrier of paint, but it in itself plays the leading role. They all stretch the boundaries of ‘the painting’.

De Bont attacks the painting head-on by cutting the wires systematically and accurately and removing them from the stretcher or weaving them apart. By doing so, affecting the connection, and forging a new complex work. In the past Hutsch transferred gesso from one canvas to another, or she accurately reproduced the canvas weave itself as a trompe l’oeil. In the recent paintings, she uses multiple canvases and the colored tape they are bound together with, as the subject matter and the compositional source for the work. Van Lith’s latest series delves deeper into a fundamental aspect in his painterly research, namely the balance between creation and destruction. In recent years his work has acquired a more sculptural dimension. The relationship between process and finished work becomes an interactive dialogue in which there is neither front nor back.
Voskuil stretches the linen on spatial frames. Often using these as modules to build hybrid works entering areas like sculpture, design, and architecture.

The aim of the artists is not to get rid of painting for the umpteenth time in history, but to embrace it and at the same time stretch its boundaries further and further. It is argued that an old medium such as painting never becomes exhausted. There are still all kinds of discoveries and inventions to be made and that these depend not only on a brilliant moment, but also on analytical and perseverance and the continuous development of new skills; craft is not a ‘dirty’ word, but a necessity for innovation to come.

Read article on Lost Painters website

Lily de Bont
Open up, 2020
Acrylics on linen, aluminum
315 x 200cm

Jan Maarten Voskuil
Non-fit Grey Void, 2021
Acrylc on linen
135 x 135 x 7cm

Gijs van Lith
Untitled (You can’t let your skin get too thick) No.1, 2020
Oil paint on linen
200 x 145cm

Gijs van Lith
Untitled (You can’t let your skin get too thick) No.14, 2020
Oil paint on linen
200 x 155cm

Kirsten Hutsch
Stuck (blue), 2021
Artist made gaffa-tape, impasto gel and UV-varnish on linen

Jan Maarten Voskuil
White Void, 2021
Acrylic on linen
135 x 135 x 7cm

Lily de Bont
Floppy frame, 2022
Acrylics on linen, aluminium
80 x 65cm

Jan Maarten Voskuil
Cuts in orange, 2022
Acrylic on linen
60 x 60 x 6 cm

Kirsten Hutsch
Composition in Black, 2022
Artist made gaffa-tape, hockey-tape, impasto gel and UV-varnish on linen.

Kirsten Hutsch
Composition without Yellow, 2020
Artist made gaffa-tape, hockey-tape, imp[asto gel and UV-varnish on linen

Lily de Bont
Caught in mirror II, 2021
Acrylics n linen, Aluminium
75 x 65cm

Lily de Bont
Caught in mirror, 2021
Acrylics n linen, Aluminium
80 x 70cm

Lily de Bont
Rotating square, 2022
Acrylics on linen, aluminium
85 x 65cm




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3012 JX, Rotterdam

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